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The whole vision ...
(Teresa d'Avila, Inner castle, 9,10)
 

There is an accurate aesthetic consistency between the fluidity of the medium and the spatiality of the works. Far from having a passive role, the observer tunes his perception to the emotionality spreading in the audiovisual space. The canvas, from being a simple vehicle of images, becomes the heart of a synaesthetic complexity that escapes the merciful inaction of quantitative analysis. The work evolves into an intermedial product, while the artist’s intervention redefines the function of perceptive channels in a

metamorphosis between sound and form. The neat separation between visual and auditory perception dissolves. The canvases are no longer subject to the conventional canons of visual and sound arts. Instead, they welcome the Angelus Novus, which disables the traditional order of aesthetic experiences and encourages the observer to share the new esoteric canons of the synaesthetic scene.

Works dedicated to the Confessions of Saint Augustine, with an apparatus for listening to sound design dedicated to each work and which can be listened to together

Works on canvas 

119 x 192.5  cm

A cena con gli dèi

330 Variazioni sull'Anima di Beethoven

Confessiones

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Works on canvas 

119 x 192.5  cm

A cena con gli dèi

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Works on canvas 

82 x 82 cm

330 Variazioni sull'Anima di Beethoven

Spiritual Machines

 Antonio Poce

  Visual Artist

 


Via Consolare, 50
03013 Ferentino
Italia
0039 331 7234810
poceantonio@gmail.com

 

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